{"id":11605,"date":"2025-05-16T19:01:40","date_gmt":"2025-05-16T16:01:40","guid":{"rendered":"https:\/\/ukrmova.iul-nasu.org.ua\/?page_id=11605"},"modified":"2025-05-16T19:01:46","modified_gmt":"2025-05-16T16:01:46","slug":"cuchasna-ukrayinska-akademichna-lingvostylistyka-strategiyi-integratyvnogo-rozvytku-2","status":"publish","type":"page","link":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/https-ukrmova-iul-nasu-org-ua-https-ukrmova-iul-nasu-org-ua-vypusky-zhurnalu-html-html-html-html\/2021-2\/zhurnal-ukrayinska-mova-4-80-2021\/cuchasna-ukrayinska-akademichna-lingvostylistyka-strategiyi-integratyvnogo-rozvytku-2.html","title":{"rendered":"The modern Ukrainian academic linguistic stylistics: A strategy of the integrative development"},"content":{"rendered":"<em><strong><span class=\"fontstyle0\">Svitlana Iermolenko<\/span><\/strong><\/em><span class=\"fontstyle2\">, Academician of the National Academy of Sciences of Ukraine, Doctor of Sciences in Philology, Professor,<\/span><span class=\"fontstyle2\">Head of the Department of Stylistics, Culture of Language, and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine<br \/>\n<\/span><span class=\"fontstyle2\">4 Hrushevs<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">kyi St., Kyiv 01001, Ukraine<\/span><\/p>\n<p><span class=\"fontstyle2\">E-mail: svitlana.yermolenko@gmail.com<br \/>\n<\/span><span class=\"fontstyle2\">https:\/\/orcid.org\/0000-0002-9916-4915<\/span><\/p>\n<p><em><strong><span class=\"fontstyle0\">Svitlana Bybyk<\/span><\/strong><\/em><span class=\"fontstyle2\">, Doctor of Sciences in Philology, Professor, Leading Researcher in the Department of Stylistics, Culture of Language, and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine<br \/>\n<\/span><span class=\"fontstyle2\">4 Hrushevs<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">kyi St., Kyiv 01001, Ukraine<\/span><\/p>\n<p><span class=\"fontstyle2\">E-mail: sbybyk2016@ukr.net<br \/>\nhttps\/\/orcid.org\/0000-0002-9765-497X<\/span><\/p>\n<p><em><strong><span class=\"fontstyle0\">Tetiana Kots<\/span><span class=\"fontstyle4\">\u02b9<\/span><\/strong><\/em><span class=\"fontstyle2\">, Doctor of Sciences in Philology, Senior Researcher\u00a0<\/span><span class=\"fontstyle2\">in the Department of Stylistics, Culture of Language, and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine<br \/>\n<\/span><span class=\"fontstyle2\">4 Hrushevs<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">kyi St., Kyiv 01001, Ukraine<\/span><\/p>\n<p><span class=\"fontstyle2\">\u0415-mail: tetyana_kots@ukr.net<br \/>\n<\/span><span class=\"fontstyle2\">https:\/\/orcid.org\/0000-0003-4622-9559<\/span><\/p>\n<p><em><strong><span class=\"fontstyle0\">Halyna S\u0456uta<\/span><\/strong><\/em><span class=\"fontstyle2\">, Doctor of Sciences in Philology, Senior Researcher\u00a0<\/span><span class=\"fontstyle2\">in the Department of Stylistics, Culture of Language, and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine<br \/>\n4 Hrushevs<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">kyi St., Kyiv 01001, Ukraine<\/span><\/p>\n<p><span class=\"fontstyle2\">\u0415-mail: syutag@i.ua<br \/>\nhttps\/\/orcid.org\/0000-0003-3273-1644<\/span><\/p>\n<p><em><strong><span class=\"fontstyle0\">Anhelina Hanzha<\/span><\/strong><\/em><span class=\"fontstyle2\">, Candidate of Sciences in Philology, Senior Researcher in the Department of Stylistics, Culture of Language, and Sociolinguistics,\u00a0<\/span><span class=\"fontstyle2\">Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine<br \/>\n<\/span><span class=\"fontstyle2\">4 Hrushevs<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">kyi St., Kyiv 01001, Ukraine<\/span><\/p>\n<p><span class=\"fontstyle2\">E-mail: ganzhalina@ukr.net<br \/>\n<\/span><span class=\"fontstyle2\">https:\/\/orcid.org\/0000-0003-2938-5306<\/span><\/p>\n<div><strong>Heading:\u00a0<\/strong>Articles<\/div>\n<div>\n<div><strong>Language:<\/strong>\u00a0Ukrainian<\/div>\n<p><strong>Abstract<\/strong>: <span class=\"fontstyle0\">This article offers an analytical review of the Department of Stylistics, Culture of Language, and Sociolinguistics\u2019 study outcomes in 1991\u20142021. It focuses on the publications with the expanded linguo-stylistic analysis and the developing of the terminological system of Ukrainian stylistics. The authors reinterpret a term <\/span><span class=\"fontstyle2\">style <\/span><span class=\"fontstyle0\">and concept of language culture and outline the contribution to the development of structural stylistics, i.e., linguistic text analysis, and interpretive stylistics from the Department staff also naming major studies which determined the connection of linguistic stylistics with the history of Standard Ukrainian and establishing the significant role of historical stylistics.<\/span><\/p>\n<p><span class=\"fontstyle0\">Being determined by the view of language as a system of signs the structural approach in linguistic stylistics dominated at early stages the Ukrainian stylistics formation. The paper advances a new idea regarding the fluidity of the modern system of functional styles and the need to revise and restructure their socially significant hierarchy with respect to the linguo-cultural and communicative-pragmatic reinterpretation of integrative linguo-stylistics. The interdisciplinary aspects of functional-stylistic and genre-stylistic researches are the following: linguoculturology, linguofolkloristics, linguosophy, linguopersonology, linguoconflictology, discourseology, media stylistics, legal linguistics, psycholinguistics, ethnolinguistics, and linguistic expertise. The conclusion evaluates the digital methods to process texts in Standard Ukrainian and the need to create lexicographic sources of stylistic terminology and expand the aspects of stylistic lexicography.<\/span><\/p>\n<p><strong><span class=\"fontstyle3\">Keywords: <\/span><\/strong><span class=\"fontstyle2\">linguo-stylistics, style, culture of language, norm, interdisciplinarity, research method, integrative linguo-stylistics.<\/span><\/p>\n<p><strong><span class=\"fontstyle0\">REFERENCES<\/span><\/strong><\/p>\n<p><span class=\"fontstyle0\">Bybyk, S. P. (2010). <\/span><span class=\"fontstyle2\">Opovidnist<\/span><span class=\"fontstyle3\">\u02b9 <\/span><span class=\"fontstyle2\">v ukra\u0457ns<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">kii khudozhnii prozi<\/span><span class=\"fontstyle0\">. Luhans<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle0\">k: Luhans<\/span><span class=\"fontstyle4\">\u2032<\/span><span class=\"fontstyle0\">ky\u0456 natsional<\/span><span class=\"fontstyle4\">\u2032<\/span><span class=\"fontstyle0\">ny\u0456 universytet im. T. Shevchenka (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Bybyk, S. P. (2013). <\/span><span class=\"fontstyle2\">Usna literaturna mova v ukra\u0457ns<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">kii kul<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">turi povsiakdennia<\/span><span class=\"fontstyle0\">. Nizhyn: AspektPolihraf (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Bybyk, S. (2018). Idealema \u201cpam<\/span><span class=\"fontstyle4\">\u02b9\u02b9<\/span><span class=\"fontstyle0\">iat<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle0\">\u201d u linhvosofi\u0457 Olesia Honchara (Na materiali movy romanu \u201cTronka\u201d). <\/span><span class=\"fontstyle2\">Kul<\/span><span class=\"fontstyle3\">\u02b9<\/span><span class=\"fontstyle2\">tura Slova<\/span><span class=\"fontstyle0\">, <\/span><span class=\"fontstyle2\">88<\/span><span class=\"fontstyle0\">, 105\u2014117 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Bybyk, S. P. (2019). Istorychna stylistyka \u2014 instrument doslidzhennia kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle0\">turno\u0457 pam<\/span><span class=\"fontstyle4\">\u02b9\u02b9<\/span><span class=\"fontstyle0\">iati slova. <\/span><span class=\"fontstyle2\">Stylistyka<\/span><span class=\"fontstyle0\">, <\/span><span class=\"fontstyle2\">28<\/span><span class=\"fontstyle0\">, 55\u201465 (in Ukrainian).<br \/>\nBybyk, S. P. (2019\u0430). Idealema \u201csvii \u2014 chuzhyi\u201d u movomyslenni ukra\u0457ns<span class=\"fontstyle2\">\u02b9<\/span>koho mihranta (Na materiali romanu A. Chapaia \u201cPona\u0457khaly\u201d). <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">90<\/span>, 30\u201445 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Bybyk, S. P., \u0406ermolenko, S. \u0406\u0430., Kots<span class=\"fontstyle2\">\u02b9 <\/span>T. A., S\u0456uta, H. M., &amp; Chemerkin, S. H. (2007). <span class=\"fontstyle3\">Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ka linhvostylistyka \u0425\u0425 \u2014 pochatku \u0425\u0425\u0406 st. Systema poniat<\/span><span class=\"fontstyle4\">\u02b9 <\/span><span class=\"fontstyle3\">i bibliohrafichni dzherela <\/span>(S. \u0406a. \u0406er molen ko, Ed.). Kyiv: Hramota (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u041danzha, A. \u0406u. (2019). Arkhitektonika linhval<span class=\"fontstyle2\">\u02b9<\/span>noho kontentu pro\u0456\u0435ktu \u201cBezkinechna podorozh, abo Ene\u0457da.\u201d <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">91<\/span>, 77\u201486 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u041danzha, A. \u0406u. (2020). Linhvosofs<span class=\"fontstyle2\">\u02b9<\/span>ka retseptsiia dekoduvannia dokumental<span class=\"fontstyle2\">\u02b9<\/span>noho kinotekstu (Na prykladi fil<span class=\"fontstyle2\">\u02b9<\/span>miv pro Lesiu Ukra\u0457nku). <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">93<\/span>, 134\u2014149 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. Ia., &amp; Dziubyshyna-Mel<span class=\"fontstyle2\">\u02b9<\/span>nyk, N. \u0406a. (1993). Novi tendentsi\u0457 u zahal<span class=\"fontstyle2\">\u02b9<\/span>noliteraturnii normi ukra\u0457ns<span class=\"fontstyle2\">\u02b9<\/span>ko\u0457 movy. In <span class=\"fontstyle3\">J<\/span><span class=\"fontstyle4\">\u0119<\/span><span class=\"fontstyle3\">zyki s<\/span><span class=\"fontstyle4\">\u0142<\/span><span class=\"fontstyle3\">owia<\/span><span class=\"fontstyle4\">\u0144<\/span><span class=\"fontstyle3\">skie wobec wspolczesnych przemian w krajach Europy <\/span><span class=\"fontstyle4\">\u015b<\/span><span class=\"fontstyle3\">rodkowej \u0456 wschodniej <\/span>(\u0440\u0440. 199\u2014204). \u041e\u0440\u043el\u0435 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (1987). <span class=\"fontstyle3\">Fol<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">klor i literaturna mova<\/span>. Kyiv: Naukova dumka (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (1998). Stylistyka suchasno\u0457 ukra\u0457ns<span class=\"fontstyle2\">\u02b9<\/span>ko\u0457 literaturno\u0457 movy v konteksti slo v<span class=\"fontstyle2\">\u02b9\u02b9<\/span>ians<span class=\"fontstyle2\">\u02b9<\/span>kykh stylistyk. <span class=\"fontstyle3\">Movoznavstvo<\/span>, <span class=\"fontstyle3\">2\u20143<\/span>, 25\u201436 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (1999\u0430). <span class=\"fontstyle3\">Narysy z ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ko\u0457 slovesnosti: stylistyka i kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura movy<\/span>. Kyiv: Dovira (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2001). Literaturna norma v chasovomu i prostorovomu vymiri. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">57\u201458<\/span>, 3\u20149 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2007). <span class=\"fontstyle3\">Mova i ukra\u0457noznavchyi svitohliad<\/span>. Kyiv: NDI ukra\u0457noznavstva (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2009). <span class=\"fontstyle3\">Movno-Estetychni znaky ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ko\u0457 kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tury<\/span>. Kyiv: Instytut ukra\u0457ns<span class=\"fontstyle2\">\u02b9<\/span>ko\u0457 movy NAN Ukra\u0457ny (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2013). Zasoby masovo\u0457 komunikatsi\u0457 i movna svidomist<span class=\"fontstyle2\">\u02b9 <\/span>suchasnoho ukra\u0457ntsia. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">79<\/span>, 123\u2014125 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. (2014). Movno-Estetychnyi kanon khudozhn<span class=\"fontstyle2\">\u02b9<\/span>o\u0457 prozy Mykhaila Kotsiubyns<span class=\"fontstyle2\">\u02b9<\/span>koho. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">81<\/span>, 6\u201415 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2014\u0430). Filosofiia movy Tarasa Shevchenka. <span class=\"fontstyle3\">Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ka Mova<\/span>, <span class=\"fontstyle3\">2<\/span>, 3\u201418 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2015). Narodnorozmovna osnova movno-estetychnoho kanonu poezi\u0457 Tarasa Shevchenka. <span class=\"fontstyle3\">Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ka Mova<\/span>, <span class=\"fontstyle3\">4<\/span>, 26\u201435 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2016). Movno-Estetychnyi kanon poezi\u0457 Tarasa Shevchenka v ukra\u0457ns<span class=\"fontstyle2\">\u02b9<\/span>kii literaturnii movi. <span class=\"fontstyle3\">Stylistyka<\/span>, <span class=\"fontstyle3\">25<\/span>, 499\u2014512 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2017). Linhvostylistyka v konteksti zahal<span class=\"fontstyle2\">\u02b9<\/span>noho movoznavstva. <span class=\"fontstyle3\">Movoznavstvo<\/span>, <span class=\"fontstyle3\">4<\/span>, 18\u201427 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2017\u0430). <span class=\"fontstyle3\">Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ka mova v naukovomu svitohliadi Mykhaila Hrushevs<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">koho<\/span>. Kharkiv: Osnova (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2018). Ukra\u0457ns<span class=\"fontstyle2\">\u02b9<\/span>ka mova v naukovomu svitohliadi Mykoly Kostomarova: Is torychno-kul<span class=\"fontstyle2\">\u02b9<\/span>turnyi dyskurs. In <span class=\"fontstyle3\">\u0406\u0425 Mizhnarodnyi konhres ukra\u0457nistiv <\/span>(\u0440\u0440. 3\u201413). Kyiv (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2018\u0430). Filosofiia movy Olesia Honchara. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">88<\/span>, 9\u201429 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (2019). Linhvosofiia natsional<span class=\"fontstyle2\">\u02b9<\/span>noho humoru. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">91<\/span>, 5\u201417 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a. (\u0415d.). (1999). <span class=\"fontstyle3\">Najnowsze dzieje j<\/span><span class=\"fontstyle4\">\u0119<\/span><span class=\"fontstyle3\">zyk<\/span><span class=\"fontstyle4\">\u00f3<\/span><span class=\"fontstyle3\">w s<\/span><span class=\"fontstyle4\">\u0142<\/span><span class=\"fontstyle3\">owia<\/span><span class=\"fontstyle4\">\u0144<\/span><span class=\"fontstyle3\">skich: Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ka mova<\/span>. Opole (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406a., Bybyk, S. P., Kots<span class=\"fontstyle2\">\u02b9<\/span>, \u0422. \u0410., Siuta H. M., &amp; Chemerkin S. H. (2013\u0430). <span class=\"fontstyle3\">Literaturna norma i movna praktyka<\/span>. Nizhyn: Aspekt-polihraf (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">\u0406ermolenko, S. \u0406\u0430., Vokal<span class=\"fontstyle2\">\u02b9<\/span>chuk, H. M., Hanzha, A. \u0406u., Hnat\u0456uk, L. P., &amp; Siuta, H. M. (2016). <span class=\"fontstyle3\">Terytoriia movy Tarasa Shevchenka <\/span>(S. \u0406a. \u0406ermolenko, Ed.). Kyiv: Vydavnychyi dim Dmyt ra Buraho (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Karpenko, \u0406u. (2001). [Review of the book <span class=\"fontstyle3\">Najnowsze dzieje jezyk<\/span><span class=\"fontstyle4\">\u00f3<\/span><span class=\"fontstyle3\">w s<\/span><span class=\"fontstyle4\">\u0142<\/span><span class=\"fontstyle3\">o wia<\/span><span class=\"fontstyle4\">\u0144<\/span><span class=\"fontstyle3\">skich: Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ka mova<\/span>, by S. Iermolenko (Ed.)]. <span class=\"fontstyle3\">Movoznavstvo<\/span>, <span class=\"fontstyle3\">2<\/span>, 77\u201480 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Kots<span class=\"fontstyle2\">\u02b9<\/span>, T. (2001). Osnovni zasady konfesiinoho styletvorennia ukra\u0457ns<span class=\"fontstyle2\">\u02b9<\/span>ko\u0457 movy (Kintsia \u0425\u0406\u0425 \u2014 pochatku \u0425\u0425 st.). <span class=\"fontstyle3\">Ridnyi Krai<\/span>, <span class=\"fontstyle3\">2<\/span>(5), 40\u201443 (in Ukrainian).<br \/>\nKots<span class=\"fontstyle1\">\u02b9<\/span>, T. (2002). Ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ka linhvostylistyka pro konfesiinyi styl<span class=\"fontstyle1\">\u02b9 <\/span>ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ko\u0457 movy. In <span class=\"fontstyle3\">Slovo. Styl<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">. Norma. Zbirnyk naukovykh prats<\/span><span class=\"fontstyle4\">\u02b9 <\/span>(pp. 18\u201424). Kyiv: Instytut ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ko\u0457 movy NAN Ukra\u0457ny (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Kots<span class=\"fontstyle1\">\u02b9<\/span>, T. A. (2010). <span class=\"fontstyle3\">Literaturna norma u funktsional<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">no-styl<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ovii i strukturnii paradyhmi<\/span>. Kyiv: Lohos (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Kots<span class=\"fontstyle1\">\u02b9<\/span>, T. A. (2018). <span class=\"fontstyle3\">Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ke slovo v presi kintsia \u0425\u0425 \u2014 pochatku \u0425\u0425\u0406 st.: Dynamika literaturno\u0457 nor my<\/span>. Kyiv: Vydavnychyi dim Dmytra Buraho (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Kots<span class=\"fontstyle1\">\u02b9<\/span>, T. A. (2019). Linhvosofiia viiny i myru v movno-informatsiinomu prostori s<span class=\"fontstyle1\">\u02b9<\/span>ohodennia. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">90<\/span>, 132\u2014149 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Kots<span class=\"fontstyle1\">\u02b9<\/span>, T. A. (2019\u0430). Linhvosofiia humoru v zhurnali \u201cPerets<span class=\"fontstyle1\">\u02b9<\/span>\u201d. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">91<\/span>, 122\u2014133 (in Uk rainian).<br \/>\n<\/span><span class=\"fontstyle0\">Kots<span class=\"fontstyle1\">\u02b9<\/span>, T. A. (2021). Komunikatyvno-prahmatychni oznaky zhurnalists<span class=\"fontstyle1\">\u02b9<\/span>koho dyskursu v aspekti aksiolohi\u0457. <span class=\"fontstyle3\">Movoznavstvo<\/span>, <span class=\"fontstyle3\">2<\/span>, 55\u201466 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Matviias, I. H. (1998). <span class=\"fontstyle3\">Varianty ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ko\u0457 literaturno\u0457 movy<\/span>. Kyiv: Instytut Ukra<span class=\"fontstyle1\">\u00ef<\/span>ns<span class=\"fontstyle1\">\u2032<\/span>ko<span class=\"fontstyle1\">\u00ef <\/span>movy NAN Ukra<span class=\"fontstyle1\">\u00ef<\/span>ny (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Matviias, I. H. (2008). Vidobrazhennia osoblyvostei hovoriv u movi ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ko\u0457 khudozhn<span class=\"fontstyle1\">\u02b9<\/span>o\u0457 literatury. <span class=\"fontstyle3\">Movoznavstvo<\/span>, <span class=\"fontstyle3\">6<\/span>, 3\u201412 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Mel<span class=\"fontstyle1\">\u02b9<\/span>nychuk, O. S. (1997). Mova \u0456ak suspil<span class=\"fontstyle1\">\u02b9<\/span>ne \u0456avyshche i \u0456ak predmet suchasnoho movoznavstva. <span class=\"fontstyle3\">Movoznavstvo<\/span>, <span class=\"fontstyle3\">2\u20143<\/span>, 3\u201419 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Mekh, N. O. (2001). <span class=\"fontstyle3\">Struktura leksyko-semantychnoho polia \u2018mova\u2014slovo\u2019 v ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">kii poetychnii mo vi \u0425\u0406\u0425 \u2014 poch. \u0425\u0425 st<\/span>. Kyiv: Instytut ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ko\u0457 movy NAN Ukra\u0457ny (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Mekh, N. O. (2008). <span class=\"fontstyle3\">Interpretatsiia kontseptiv slovo, mova v ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">kii kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">turnii tradytsi\u0457<\/span>. Kyiv: In stytut ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ko\u0457 movy NAN Ukra\u0457ny (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Mekh, N. O. (2011). <span class=\"fontstyle3\">Linhvokul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">turolohema LOHOS u naukovii, relihiinii ta khudozhnii kartynakh svitu<\/span>. Kyiv: Instytut ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ko\u0457 movy NAN Ukra\u0457ny (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Rusanivs<span class=\"fontstyle1\">\u02b9<\/span>kyi, V. M. (2002). <span class=\"fontstyle3\">U slovi \u2014 vichnis<\/span><span class=\"fontstyle4\">t\u02b9 <\/span><span class=\"fontstyle3\">(Mova tvoriv T. H. Shevchenka)<\/span>. Kyiv: Naukova dumka (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Solohub, N. M. (1991). <span class=\"fontstyle3\">Movnyi svit Olesia Honchara<\/span>. Kyiv: Naukova dumka (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Solohub, N. M. (1993). Bibliini obrazy v khudozhnii tvorchosti I. Bahrianoho. <span class=\"fontstyle3\">Movoznavstvo<\/span>, <span class=\"fontstyle3\">1<\/span>, 43\u201447 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Solohub, N. M. (1999). <span class=\"fontstyle3\">Movnyi portret \u0406ara Slavutycha<\/span>. Kyiv: Dnipro; Winnipeg: Ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ka Vil<span class=\"fontstyle1\">\u02b9<\/span>na Akademiia Nauk (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Stavyts<span class=\"fontstyle1\">\u02b9<\/span>ka, L. O. (2000). <span class=\"fontstyle3\">Estetyka slova v ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">kii poezi\u0457 10\u201430-kh rr. \u0425\u0425 st<\/span>. Kyiv: Pravda Iaroslavychiv (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Siuta, H. M. (2010). <span class=\"fontstyle3\">Linhvosvit poezi\u0457 avtoriv N<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">iu-\u0406orks<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ko\u0457 hrupy<\/span>. Kyiv: Vydavnychyi dim Dmytra Buraho (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Siuta, H. M. (2016). Nihil novi sub solis\u2026 (Ide\u0457 traktatu I. Franka \u201cIz sekretiv poetychno\u0457 tvorchosti\u201d v osmyslenni cherez stolittia). <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">85<\/span>, 26\u201433 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Siuta, H. M. (2017). <span class=\"fontstyle3\">Tsytatnyi tezaurus ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ko\u0457 poetychno\u0457 movy XX stolittia<\/span>. Kyiv: KMM (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Siuta, H. M. (2020). Elitarnist<span class=\"fontstyle1\">\u02b9 <\/span>i zahal<span class=\"fontstyle1\">\u02b9<\/span>nospryiniatnist<span class=\"fontstyle1\">\u02b9 <\/span>poetychno\u0457 movy Liny Kostenko. <span class=\"fontstyle3\">Kul<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">tura Slova<\/span>, <span class=\"fontstyle3\">92<\/span>, 87\u2014100 (in Ukrainian).<br \/>\n<\/span><span class=\"fontstyle0\">Chemerkin, S. H. (2009). <span class=\"fontstyle3\">Ukra\u0457ns<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">ka mova v Interneti: Pozamovni ta vnutrishn<\/span><span class=\"fontstyle4\">\u02b9<\/span><span class=\"fontstyle3\">o-strukturni protsesy. <\/span>Kyiv: Instytut ukra\u0457ns<span class=\"fontstyle1\">\u02b9<\/span>ko\u0457 movy NAN Ukra\u0457ny (in Ukrainian).<\/span><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Svitlana Iermolenko, Academician of the National Academy of Sciences of Ukraine, Doctor of Sciences in Philology, Professor,Head of the Department of Stylistics, Culture of Language, and Sociolinguistics, Institute of the Ukrainian Language of the National Academy of Sciences of Ukraine 4 Hrushevs\u02b9kyi St., Kyiv 01001, Ukraine E-mail: svitlana.yermolenko@gmail.com https:\/\/orcid.org\/0000-0002-9916-4915 Svitlana Bybyk, Doctor of Sciences in [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":0,"parent":9507,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":[],"_links":{"self":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11605"}],"collection":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=11605"}],"version-history":[{"count":2,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11605\/revisions"}],"predecessor-version":[{"id":11607,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/11605\/revisions\/11607"}],"up":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9507"}],"wp:attachment":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=11605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}