{"id":13023,"date":"2026-05-17T21:13:59","date_gmt":"2026-05-17T18:13:59","guid":{"rendered":"https:\/\/ukrmova.iul-nasu.org.ua\/?page_id=13023"},"modified":"2026-05-17T21:13:59","modified_gmt":"2026-05-17T18:13:59","slug":"en-2024-3-91","status":"publish","type":"page","link":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/en-2024-3-91.html","title":{"rendered":"2024, \u2116 3 (91)"},"content":{"rendered":" <\/p>\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nOksana Tyshchenko
\n<\/em>Modeling of the semantic structure of a dictionary article in active lexicography<\/td>\n		 <\/p>\n

3-27<\/td>\n

 <\/p>\n

https:\/\/doi.org\/10.15407\/ukrmova2024.03.003<\/a><\/td>\n<\/tr>\n

2.<\/td>\nIryna Shkitska
\n<\/em>The image of the mother in Polish and Ukrainian paremias<\/td>\n		 <\/p>\n

28-41<\/td>\n

 <\/p>\n

https:\/\/doi.org\/10.15407\/ukrmova2024.03.028<\/a><\/td>\n<\/tr>\n

3.<\/td>\nMarharyta Zhuikova
\n<\/em>The linguisitc creativity of Kostiantyn Dumytrashko: means of humor in the first Ukrainian translation of \u201cThe\u00a0batrachomyomachia\u201d<\/td>\n		 <\/p>\n

42-57<\/p>\n

 <\/td>\n

https:\/\/doi.org\/10.15407\/ukrmova2024.03.042<\/a><\/td>\n<\/tr>\n
4.<\/td>\n\u041elena Lavrinets
\n<\/em>Active and passive constructions in the language practice of philology students of universities of Ukraine<\/td>\n		 <\/p>\n

58-75<\/td>\n

 <\/p>\n

https:\/\/doi.org\/10.15407\/ukrmova2024.03.058<\/a><\/td>\n<\/tr>\n

5.<\/td>\nIvanna Tsar
\n<\/em>Language behavior of Kyiv youth during the Russian-Ukrainian war<\/td>\n		 <\/p>\n

76-89<\/td>\n

 <\/p>\n

https:\/\/doi.org\/10.15407\/ukrmova2024.03.076<\/a><\/td>\n<\/tr>\n

6.<\/td>\nYuliia Tsyhvintseva
\n<\/em>Nicknames with the Kyiv<\/em> toponymic component in the Ukrainian-language segment of the social network \u201cX\u201d<\/td>\n		 <\/p>\n

90-102<\/td>\n

 <\/p>\n

https:\/\/doi.org\/10.15407\/ukrmova2024.03.090<\/a><\/td>\n<\/tr>\n

7.<\/td>\nAlyona Palash
\n<\/em>The linguistic and aesthetic sign of culture \u201cspace\u201d in the poetic discourse of the neoclassic<\/td>\n		 <\/p>\n

103-117<\/td>\n

 <\/p>\n

https:\/\/doi.org\/10.15407\/ukrmova2024.03.103<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 ","protected":false},"excerpt":{"rendered":"

  1. Oksana Tyshchenko Modeling of the semantic structure of a dictionary article in active lexicography   3-27   https:\/\/doi.org\/10.15407\/ukrmova2024.03.003 2. Iryna Shkitska The image of the mother in Polish and Ukrainian paremias   28-41   https:\/\/doi.org\/10.15407\/ukrmova2024.03.028 3. Marharyta Zhuikova The linguisitc creativity of Kostiantyn Dumytrashko: means of humor in the first Ukrainian translation of […]<\/p>\n","protected":false},"author":27,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13023","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=13023"}],"version-history":[{"count":3,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13023\/revisions"}],"predecessor-version":[{"id":13026,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13023\/revisions\/13026"}],"wp:attachment":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=13023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}