{"id":13177,"date":"2026-06-28T17:53:10","date_gmt":"2026-06-28T14:53:10","guid":{"rendered":"https:\/\/ukrmova.iul-nasu.org.ua\/?page_id=13177"},"modified":"2026-06-28T17:53:10","modified_gmt":"2026-06-28T14:53:10","slug":"ua-poetychna-molytva-v-ukrayinskomu-hudozhnomu-dyskursi-voyennoyi-doby-en-poetic-prayer-in-ukrainian-wartime-artistic-discourse","status":"publish","type":"page","link":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/ua-poetychna-molytva-v-ukrayinskomu-hudozhnomu-dyskursi-voyennoyi-doby-en-poetic-prayer-in-ukrainian-wartime-artistic-discourse.html","title":{"rendered":"Poetic prayer in Ukrainian wartime artistic discourse"},"content":{"rendered":"Nataliia Piddubna<\/em><\/strong>, Doctor of Philological Sciences, Professor, Professor of Professor L.A. Lysichenko Department of Ukrainian Language
\nH.S. Skovoroda Kharkiv National Pedagogical University
\n29 Alchevskykh St., Kharkiv 61002, Ukraine<\/p>\n

\u0415-mail: piddubnan71@gmail.com
\nhttps:\/\/orcid.org\/0000-0003-0331-0496<\/p>\n

Heading:<\/strong>\u00a0Articles
\nLanguage:<\/strong>\u00a0Ukrainian<\/p>\n

Abstract<\/strong>:\u00a0The article analyzes the features of the verbalization of prayer as one of the main genres of religious communication in modern war poetry. In particular, the role of prayer in the poetic expression of religious feeling is clarified, it is emphasized that in the works of the war period the author’s prayer often acquires the features of a talisman, revealing an intertextual connection with precedent religious texts-deprecations. The ironic appeal to God, which sometimes borders on the denial of the Almighty, is interpreted as a manifestation of a paradoxical, or mixed, reflection of religious feeling in a person.<\/p>\n

The main features of traditional prayer present in poetic texts are determined, including established forms of prayerful address, repeated incentive constructions, negative constructions in polysyndeton, allusions, etc. The linguistic means of fascination inherent in the author’s prayer of the war period are characterized. Attention is focused on the intimacy of prayer through the use of comparative constructions and common address. The appearance of unusual addressees in prayer, such as to the wall or ceiling, is due to the verbalization in the poetic text of the state of anxiety of the lyrical hero. The prayer to Ukraine, actualized in modern war poetry, testifies to the sacralized perception of the Motherland.<\/p>\n

The linguistic means of sacralization of Ukraine in war poetry are analyzed, the allusiveness of modern poetic prayer is demonstrated, its connection not only with religious texts, but also with texts of oral folk art is demonstrated.<\/p>\n

It is demonstrated that the distributive environment in modern poetic prayer creates the effect of deceived expectations, which significantly expresses the text. Attention is focused on non-normative, in particular obscene, lexical elements, and on terminological and colloquial \u201cmilitary\u201d vocabulary as linguistic means of expressivization in the prayer poetic text.<\/p>\n

Keywords:<\/strong> allusiveness, expressivization, intimization, linguopoetics, linguostylistic means, language game, language means, fascination.<\/p>\n

REFERENCES<\/strong>
\nAntofiichuk, V. (1996). Prayer, like the Sun, Eternal\u2026 (The Genre of Prayer in Ukrainian Literature). Sacred Feelings Embedded in Prayer\u2026 Anthology of Ukrainian Prayer:<\/em> in 2 vols.<\/em> (Vol. 1, pp. 3\u20139). Chernivtsi: Ruta (in\u00a0Ukrainian).
\nBorodinova, M. (2008). The Specific Nature of the ‘Dialogue’ of Ukrainian Literature of the first half of the 19th<\/sup> Century with the Bible. Sacrum and the Bible in Ukrainian Literature<\/em> (pp. 417\u2013426). Lublin: Ingvarr (in\u00a0Ukrainian).
\nBrailko, Yu. (2019). Sacred Connotations of the Toponym Ukraine<\/em> (as evidenced by Ukrainian poetry). Scientific Bulletin of Chernivtsi University: Romance-Slavic Discourse, 812<\/em>, 78\u201385 (in\u00a0Ukrainian).
\nBybyk, S.P. (2022). The Dynamics of Integrativeness in Studies of Toponymic Stylistics (as evidenced by texts from the period of the Russian-Ukrainian war). Culture of the Word, <\/em>97<\/em>,\u00a033\u201341. https:\/\/doi.org\/10.37919\/0201-419X-2022.97.4<\/a> (in\u00a0Ukrainian).
\nDanylenko, I. (2017). Biblical Genres and Concepts in the Poetry of Taras Shevchenko. <\/em>Kyiv: Vydavnychyi dim \u201cKyievo-Mohylianska akademiia\u201d.
\nKnorozov, Yu.V. (1967). Selected Chapters from The Writing of the Maya Indians<\/em>. Cambrige \u2013 Massachusetts.
\nKoloiz, Zh.V. (2009). Prayer as a Confessional and Artistic Text. The<\/em> Ukrainian Language Among Other Slavic Languages: Ethnological and Grammatical Parameters: materials of the International Scientific Conference<\/em> (\u0440\u0440. 422\u2013432). Kryvyi Rih (in Ukrainian).
\nKosmeda, T.A., & Khaliman, O.V. (2013). Language game in the paradigm of interpretative linguistics. Grammar of evaluation. Grammatical game (theoretical understanding of discursive practice)<\/em>. Drohobych: Kolo (in Ukrainian).
\nKruk, H. (2022). \u201cI\u2019m Sorry that Poetry doesn’t Kill\u201d: Halyna Kruk\u2019s Speech in Berlin. Pen UKRAINE<\/em>. Retrieved February 23, 2026 from https:\/\/surl.li\/zwwqgr<\/a> (in\u00a0Ukrainian).
\nNimchuk, V., & Puriaieva, N. (2013). Ukrainian \u2018Our Father\u2019.<\/em> Kyiv: Hrani-T.
\nOvsianyko-Kulykovskyi, D.N. (1909). Introduction to the Unwritten Book on the Psychology of Mental Creativity (Scientific-Philosophical and Artistic).<\/em> Collected Works: in 9 vols.<\/em> (Vol. VI: Psychology of Thought and Feeling. Artistic Creativity. Foundations of Vedaism, \u0440\u0440. 5\u201341). SPb: Izd. T-va \u201cObshchestvennaia polza\u201d, \u201cPrometei\u201d (in\u00a0Russian).
\nPakharenko, V. (2008). \u201cWe Believe in Your Power\u201d (Shevchenko\u2019s Theodicy). \u00a0Sacrum and the Bible in Ukrainian Literature<\/em> (pp. 427\u2013455).<\/em> Lublin: Ingvarr (in\u00a0Ukrainian).
\nPiddubna, N. (2022). Sacred Precedent in the Ukrainian Linguoculture of the Wartime Period. Ukrainian language, 4<\/em>, 11\u201323. \u00a0https:\/\/doi.org\/10.15407\/ukrmova2022.04.011<\/a> (in Ukrainian).
\nPiddubna, N. (2024). New Vectors of Ukrainian Theolinguistics: Sacralization in Wartime Conditions. War Experience. The media-Discursive Space of modern Ukraine<\/em> (pp. 171\u2013189).<\/em> Warszawa: WUW (in\u00a0Ukrainian).
\nPiddubna, N. (2025). The Biblical Nature of Pavlo Vyshebaba\u2019s War Poetry (as evidenced by the Collection \u201cJust Don\u2019t Write to Me About the War\u201d). Slavica<\/em> Wratislaviensi<\/em>a, CLXXXI<\/em>, 203\u2013216. https:\/\/doi.org\/10.19195\/0137-1150.181.15<\/a> (in\u00a0Ukrainian).
\nSiuta, H. (2024). Transformation of the Artistic and Aesthetic Canon of the Ukrainian Poetic Language in Times of War. Word culture<\/em>, <\/em>101<\/em>, 102\u2013111. https:\/\/doi.org\/10.37919\/0201-419X-2024.101.8<\/a> (in\u00a0Ukrainian).
\nSkorobohatova, O., & Zolotko, A. (2023). The Concept of \u2018Fascination\u2019 and \u2018Fascinative Quality\u2019 in Linguopoetic Discourse. Linguostylistic Studies<\/em>, 19<\/em>, 69\u201378. https:\/\/doi.org\/10.29038\/2413-0923-2023-19-69-78<\/a> (in\u00a0Ukrainian).
\nStepanenko, M.I. (2024). Lullabies in the Paradigm of Post-Folklore War Discourse: a Linguo-Axiological Aspect. Linguistic studies<\/em>,<\/em> 60<\/em>, 276\u2013289. https:\/\/doi.org\/10.34142\/23127546.2024.60.22<\/a> (in\u00a0Ukrainian).
\nTsolin, D. (2024). Faith Through Pain: Poetry of War. Patriarchy,<\/em> 3 (503).<\/em> Retrieved February 23, 2026 from https:\/\/surl.li\/woogfz<\/a> (in\u00a0Ukrainian).<\/p>\n

Received 01.04.2026\u00a0\u00a0 \u0410pproved 26.05.2026\u00a0\u00a0 \u0420ublished 00.00.2026","protected":false},"excerpt":{"rendered":"

Nataliia Piddubna, Doctor of Philological Sciences, Professor, Professor of Professor L.A. Lysichenko Department of Ukrainian Language H.S. Skovoroda Kharkiv National Pedagogical University 29 Alchevskykh St., Kharkiv 61002, Ukraine \u0415-mail: piddubnan71@gmail.com https:\/\/orcid.org\/0000-0003-0331-0496 Heading:\u00a0Articles Language:\u00a0Ukrainian Abstract:\u00a0The article analyzes the features of the verbalization of prayer as one of the main genres of religious communication in modern war […]<\/p>\n","protected":false},"author":27,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-13177","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=13177"}],"version-history":[{"count":4,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13177\/revisions"}],"predecessor-version":[{"id":13203,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/13177\/revisions\/13203"}],"wp:attachment":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=13177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}