{"id":7706,"date":"2019-12-11T17:46:37","date_gmt":"2019-12-11T15:46:37","guid":{"rendered":"http:\/\/ukrmova.iul-nasu.org.ua\/?page_id=7706"},"modified":"2020-03-18T19:33:15","modified_gmt":"2020-03-18T17:33:15","slug":"emotional-nomination-tears-in-the-ukrainian-poetic-texts-of-the-end-of-xxth-the-beginning-of-xxist-centuries","status":"publish","type":"page","link":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/https-ukrmova-iul-nasu-org-ua-https-ukrmova-iul-nasu-org-ua-vypusky-zhurnalu-html-html-html-html\/2019-2\/zhurnal-ukrayinska-mova-2-70-2019\/emotional-nomination-tears-in-the-ukrainian-poetic-texts-of-the-end-of-xxth-the-beginning-of-xxist-centuries.html","title":{"rendered":"Emotional nomination tears in the Ukrainian poetic texts of the end of XXth \u2013 the beginning of XXIst centuries"},"content":{"rendered":"Hanna <\/em>Diadchenko
\n<\/em>Candidate of Philological\u00a0 Sciences, Department of Language Training for Foreign Citizens, Sumy State University
\n2 Rymskoho-Korsakova St., Sumy 40007, Ukraine
\n\u0415-mail: h.dyadchenko@drl.sumdu.edu.ua<\/p>\n

Heading: <\/strong>Researches
\nLanguage: <\/strong>Ukrainian<\/p>\n

Abstract:<\/strong> In the article the development of imaginative paradigm with the lexical and semantic center \u201ctears\u201d in the language of modern Ukrainian poetry of the end of XXth <\/sup>\u2013 the beginning of XXIst<\/sup> centuries is observed. The poetic creative work of the end of \u0425\u0425th<\/sup> – beginning of the \u0425\u0425\u0406th<\/sup> centuries is marked by the traditional and innovative approaches uniting. Its major principles are creative liberty, stylistic eclectics, imaginative and lingual relaxedness which may grow to the anti-poetics of artistic script, aesthetic relativity, creative destruction, etc.<\/p>\n

Modern authors\u2019 turning to the stylistic heterogeneous artistic means is brightly illustrated in the process of imaginative paradigm with the lexical and semantic center \u201ctears\u201d artistic modelling. So, in the article the development of latter in the language of modern Ukrainian poetry of the end of XXth <\/sup>\u2013 the beginning of XXIst<\/sup> centuries is observed. The author convinces that emotional nomination \u201ctears\u201d is a productive medium of imaginative and illustrative as well as expressive and evaluative man\u2019s portrayal.<\/p>\n

In the article the basic tendencies of external (occasional) as well as psychological and emotional portrayal of a contemporary person are also traced. The imaginative structures of the \u201cexternal portrayal\u201d micro paradigm inside the paradigm been analyzed are sporadic. They first of all testify phenomenon of semantic shift: physical feelings (optic and taste) are been associated with the person\u2019s psychic sphere.<\/p>\n

The basic segment of the imaginative paradigm with the lexical and semantic center \u201ctears\u201d is presented by the micro paradigm devoted to the psychic and emotional portrayal. Firstly these are the characteristics with the \u2018size\u2019, \u2018heaviness\u2019 and \u2018temperature\u2019 meaning modelling semes. Person\u2019s hard feelings and psychological states are mostly modelled through the micro images with the dominant seme \u2019heaviness\u2019. Through the antonymic images \u201claugh\u201d\u00a0– \u201ctears\u201d context cohesion oxymoron structures meaning the contradictory, emotionally charged psychological states of certain person are created.<\/p>\n

All the contexts analyzed are united with the integrative meaning of the soul pain and suffer. Such tendency is proved with the components of the imaginative paradigmatic rows tears <\/strong>\u2192 jewelry<\/strong> and tears <\/strong>\u2192 weapon<\/strong>. First one testifies the influence of the folk tradition to the modern poets\u2019 lingual creativity, another one can be observed as a signal of the modern authors\u2019 stylistic search.<\/p>\n

The integral semantics for the majority of the imaginative structures analyzed is meaning of soul pain and suffering. The evaluative aspect of the images which are the components of the paradigm with the noun \u201ctears\u201d as lexical and semantic center testifies the stylistic appraisal change from the positive to negative one.<\/p>\n

Key<\/strong>words<\/strong>: imaginative paradigm, lexical and semantic center, external portrayal, psychological and emotional portrayal, imaginative paradigmatic line, evaluativity.<\/p>\n

LEGEND<\/h4>\n

\u0421\u0423\u041c – Dictionary of the Ukrainian language: in 11 vol. (1970 \u2013 1980). Kyiv: Naukova dumka (in Ukr.).<\/p>\n

\u0424\u0421\u0423\u041c – Phraseological dictionary of the Ukrainian language: in 2\u00a0vol. (1999). Kyiv: Naukova dumka (in Ukr.).<\/p>\n

\u0423\u041c\u00a02000 – Ukrainian Language: Encyclopaedia. (2000). Kyiv: Ukr. entsyklopediia (in Ukr.).<\/p>\n

REFERENCES<\/h4>\n
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    Hanna Diadchenko Candidate of Philological\u00a0 Sciences, Department of Language Training for Foreign Citizens, Sumy State University 2 Rymskoho-Korsakova St., Sumy 40007, Ukraine \u0415-mail: h.dyadchenko@drl.sumdu.edu.ua Heading: Researches Language: Ukrainian Abstract: In the article the development of imaginative paradigm with the lexical and semantic center \u201ctears\u201d in the language of modern Ukrainian poetry of the end of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6622,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":[],"_links":{"self":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/7706"}],"collection":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=7706"}],"version-history":[{"count":4,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/7706\/revisions"}],"predecessor-version":[{"id":8433,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/7706\/revisions\/8433"}],"up":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/6622"}],"wp:attachment":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=7706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}