{"id":8013,"date":"2019-12-15T22:35:05","date_gmt":"2019-12-15T20:35:05","guid":{"rendered":"http:\/\/ukrmova.iul-nasu.org.ua\/?page_id=8013"},"modified":"2020-05-29T12:32:20","modified_gmt":"2020-05-29T09:32:20","slug":"tekst-yak-ob-yekt-piznannya-i-stryzhneve-ponyattya-retseptyvnoyi-estetyky-ta-poetyky","status":"publish","type":"page","link":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/https-ukrmova-iul-nasu-org-ua-https-ukrmova-iul-nasu-org-ua-vypusky-zhurnalu-html-html-html-html\/2017-2\/zhurnal-ukrayinska-mova-3-63-2017\/tekst-yak-ob-yekt-piznannya-i-stryzhneve-ponyattya-retseptyvnoyi-estetyky-ta-poetyky.html","title":{"rendered":"TEXT AS THE OBJECT OF STUDYING AND DETERMINATIVE CONCEPT OF RECEPTIVE AESTHETICS AND POETICS"},"content":{"rendered":"<em><i>Halyna Siuta<br \/>\n<\/i><\/em>PhD in Philology, Researcher of the Department of Stylistics, Language Culture and Sociolinguistics, Institute of the Ukrainian Language of National Academy of Sciences of Ukraine<br \/>\n4 Hrushevskyi St., Kyiv 01001, Ukraine<br \/>\n\u0415- mail: siutagalia@gmail.com<\/p>\n<p><strong><b>Heading: <\/b><\/strong>Researches<br \/>\n<strong><b>Language: <\/b><\/strong>Ukrainian<\/p>\n<p><strong><b>Abstract:<\/b><\/strong><strong><b>\u00a0<\/b><\/strong>The receptive aesthetics and poetics theories are characterized in the context of the paradigms\u2019 studying of the artistic text \/\u00a0creative work renovation, revision of the ideas about the mechanisms of its reception.<\/p>\n<p>The receptive aesthetics and poetics growth is lighted up taking into consideration the European investigators\u2019 points of view and Ukrainian sources. In connection with told above it is stressed on the scientific predictability of the ideas of the work by \u0406.\u00a0Franko \u201cFrom the secrets of the poetic creation\u201d. For modern receptive poetics such ideas are valuable: \u0430)\u00a0the theory of artistic creative work \/\u00a0text reception, methodology of its analyses must be based on the achievements of psychology; b)\u00a0the predominating factors of creating and reception of the literary works are author\u2019s and reader\u2019s feelings and impressions; c)\u00a0awakening\u00a0in the reader\u2019s consciousness the intellectual and emotional information foreseen by the author creates the ideal conditions for the creative work \/\u00a0text reception; d)\u00a0understanding of texts and creative activity of the author in the whole depends upon time of their reception.<\/p>\n<p>Proportionality of the Franko\u2019s ideas with the receptive methodology of the artistic text investigation is confirmed by the terms <em><i>aesthetics<\/i><\/em>, <em><i>inductive aesthetics<\/i><\/em>, <em><i>perception<\/i><\/em>, <em><i>reception, interpretation<\/i><\/em>, <em><i>resonance, <\/i><\/em>etc.<\/p>\n<p>In the intellectual\u00a0space of\u00a0modern\u00a0philology\u00a0the receptive\u00a0poetics is\u00a0represented\u00a0as an\u00a0integrative\u00a0model of\u00a0the text studying. It foresees the understanding of the peculiarities of the reception based on the taking into account of the psychological and lingual mechanisms of influence of the artistic work on the recipient through the appealing to his individual sensual and emotional experience.<\/p>\n<p><strong><b>Keywords:<\/b><\/strong>\u00a0receptive aesthetics, receptive poetic, psychological mechanisms of the reception, lingual and cognitive mechanisms of the reception, treatise by \u0406.\u00a0Franko \u00abFrom the secrets of the poetic creation\u00bb.<\/p>\n<h4>REFERENCES<\/h4>\n<ol>\n<li>Bart, R. (1987). Criticism and Truth. <em><i>Foreign aesthetics and theory of literature of the XIX \u2013 XX centuries. Treatises, articles, essays.<\/i><\/em> <em><i>349 <\/i><\/em><em><i>\u2013<\/i><\/em><em><i>384<\/i><\/em>. Moscow\u00a0(in Rus.).<\/li>\n<li>Hromyak, R.T. (1999). History of Ukrainian Literary Criticism (From the Beginning to the End of the Nineteenth Century): A Handbook. Ternopil (in\u00a0Ukr.).<\/li>\n<li>Yermolenko, S.Ya. (2016). \u201cYou will, your father, rule as long as people live\u201d (instead of the preface. <em><i>Yermolenko, S.Ya., Vokalchuk, G.M., Ganzha, A.Yu., Hnatiuk, L.P., Siuta, H.M. Territory of Taras Shevchenko&#8217;s language.<\/i><\/em> <em><i>6 \u2013 10<\/i><\/em>. Kyiv (in Ukr.).<\/li>\n<li>Izer, B. (1996). The process of reading: a phenomenological approximation. <em><i> Sign. Discourse: Anthology of World Literary and Critical Thought of the Twentieth Century<\/i><\/em>. P. <em><i>263 <\/i><\/em><em><i>\u2013<\/i><\/em><em><i>276<\/i><\/em>. Lviv\u00a0(in Ukr.).<\/li>\n<li>Klochek, H. (1990). Poetics and psychology. Kyiv (in Ukr.).<\/li>\n<li>Klochek, H. (2007). Ivan Franko&#8217;s Treatise \u201cFrom the Secrets of Poetic Creativity\u201d as the Forerunner of Domestic Receptive Poetics. <em><i>Word and time<\/i><\/em>, 4, <em><i>39 <\/i><\/em><em><i>\u2013<\/i><\/em><em><i>45<\/i><\/em>\u00a0(in Ukr.).<\/li>\n<li>Potebnia, O.O. (1996). Thought and language (fragments). <em><i> Sign. Discourse: Anthology of World Literary and Critical Thought of the Twentieth Century.<\/i><\/em>P. <em><i>25 <\/i><\/em><em><i>\u2013<\/i><\/em><em><i>\u00a039<\/i><\/em>.\u00a0Lviv (in Ukr.).<\/li>\n<li>Fizer, I. (1996). School of receptive aesthetics. <em><i> Sign. Discourse: Anthology of World Literary and Critical Thought of the Twentieth Century.<\/i><\/em>P. <em><i>261 <\/i><\/em><em><i>\u2013<\/i><\/em><em><i>\u00a0262<\/i><\/em>.\u00a0Lviv (in Ukr.).<\/li>\n<li>Franko, I. (1984). Tasks and methods of the history of literature. <em><i>Franko<\/i><\/em><em><i>,<\/i><\/em><em><i> Works in 50 vols. <\/i><\/em>Vol. 41. P. <em><i>12<\/i><\/em>Kyiv (in Ukr.).<\/li>\n<li>Franco, (1969).From the secrets of poetic creativity. Kyiv (in Ukr.).<\/li>\n<li>Franko, (1979). Works in 50 vols. Vol. 17. P. <em><i>254<\/i><\/em>. Kyiv (in Ukr.).<\/li>\n<li>Jauss, H.R. (1996). Aesthetic experience and literary hermeneutics. <em><i> Sign. Discourse: Anthology of World Literary and Critical Thought of the Twentieth Century.<\/i><\/em>P. <em><i>279 \u2013 307<\/i><\/em>. Lviv (in Ukr.).<\/li>\n<li>Glowi\u0148ski, M. (1998). Dzie\u0142o wobec odbiorcy. Sketches from communications literackiy. Prace wybrane. T. 3. Krak\u00f3w: Uniwersitas (in Pol.).<\/li>\n<li>Problemy teorii literatury. (1987). T. 2. Wroc\u0142aw \u2013 Krak\u00f3w \u2013 Gda\u0144sk \u2013 Lod\u017a, P. <em><i>44<\/i><\/em>(in Pol.).<\/li>\n<\/ol>","protected":false},"excerpt":{"rendered":"<p>Halyna Siuta PhD in Philology, Researcher of the Department of Stylistics, Language Culture and Sociolinguistics, Institute of the Ukrainian Language of National Academy of Sciences of Ukraine 4 Hrushevskyi St., Kyiv 01001, Ukraine \u0415- mail: siutagalia@gmail.com Heading: Researches Language: Ukrainian Abstract:\u00a0The receptive aesthetics and poetics theories are characterized in the context of the paradigms\u2019 studying [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6679,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":[],"_links":{"self":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8013"}],"collection":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=8013"}],"version-history":[{"count":2,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8013\/revisions"}],"predecessor-version":[{"id":8643,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/8013\/revisions\/8643"}],"up":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/6679"}],"wp:attachment":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=8013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}