{"id":9290,"date":"2021-11-17T16:06:08","date_gmt":"2021-11-17T14:06:08","guid":{"rendered":"https:\/\/ukrmova.iul-nasu.org.ua\/?page_id=9290"},"modified":"2022-02-17T14:21:56","modified_gmt":"2022-02-17T12:21:56","slug":"polisyndeton-u-movi-ukrayinskoyi-poeziyi-ii-polovyny-hh-pochatku-hhi-stolittya-typologijni-harakterystyky-ta-funktsijne-navantazhennya","status":"publish","type":"page","link":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/https-ukrmova-iul-nasu-org-ua-https-ukrmova-iul-nasu-org-ua-vypusky-zhurnalu-html-html-html-html\/2021-2\/zhurnal-ukrayinska-mova-2-78-2021\/polisyndeton-u-movi-ukrayinskoyi-poeziyi-ii-polovyny-hh-pochatku-hhi-stolittya-typologijni-harakterystyky-ta-funktsijne-navantazhennya.html","title":{"rendered":"Polysyndeton in Ukrainian poetry language of the second half of the 20th \u2014 begining of the 21st century: Typological characteristics and functional load"},"content":{"rendered":"<em><strong>Olesia Tieliezhkina<\/strong><\/em>, Doctor of Sciences in Philology, Associate Professor in the Department of Language Training, Pedagogy and Psychology, O.M. Beketov National University of Urban Economy in Kharkiv<br \/>\n17 Marshal Bazhanov St., Kharkiv 61002, Ukraine<\/p>\n<p>E-mail: o_tele_o@ukr.net<br \/>\nhttps:\/\/orcid.org\/0000-0002-2953-7368<\/p>\n<p><strong>Heading:<\/strong>\u00a0Articles<br \/>\n<strong>Language:<\/strong>\u00a0Ukrainian<\/p>\n<p><strong>Abstract<\/strong>: Polysyndeton may be seen as not developed properly in the Ukrainian linguistic style, although it has been vastly applied in the language of poetry of Ukrainian artists in the second half of the 20th \u2014 beginning of the 21st century. The aim of this article is to reinterpret polysyndeton as a stylistic figure based on the rhythmic repetition of the same conjunctions, prepositions, and par ticles which help to achieve a harmonious structure of the poetic text.<\/p>\n<p>Rich data collected have allowed distinguishing varieties of polysyndeton due to the following criteria: 1) word class membership of a repeated unit, e.g., conjunctive, prepositional, and partial; 2) placement in contact, e.g., contact, distant; 3) the nature of \u2018grammatical registration\u2019 (for sentences of different grammatical structure). Moreover, all varieties of expressive means of a language are significant for the formation of the linguistic units of the poem: they perform pictorial and compositional functions and functions of accentuation, metaphorisation, the actualization of the emotional component of the expressed and harmonious organization of poetic text\u2019s space. This indicates the multifunctionality of polysyndeton as a stylistic figure which contributes to the harmonization of a language and poetic narrative.<span dir=\"ltr\"><br \/>\n<\/span><\/p>\n<p><span dir=\"ltr\"><strong>Keywords<\/strong>: stylistic syntax, language and poetic narrative, multifunctionality, polysyndeton.<\/span><\/p>\n<p><strong>REFERENCES<br \/>\n<\/strong>1. Bystrova, \u041e. (2004). Dominant image and poetic syntax. Visnyk L\u2019vivs\u2019koho Universytetu. Seri ya Filolohichna, 35, 49\u201459 (in Ukrainian).<br \/>\n2. Vekkesser, M.V. (2007). Polisindeton as a stylistic figure (on the material of Modern Russian): Dissertation Summary for the Candidate of Philological Sciences Degree. Krasnoyarsk (in Russian).<br \/>\n3. Vovk, A.V. (2020). Expressive syntax in the system of idiostyle of a writer (On the material of O. Honchar\u2019s Diaries): Dissertation Summary for the Candidate of Philological Sciences Degree. Dnipro (in Ukrainian).<br \/>\n4. Horpynych, V.O. (2004). Morphology of the Ukrainian language. Kyiv (in Ukrainian).<br \/>\n5. Gusarova, N.D. (2001). On the issue of studying poetic syntax of lamentations by I.A. Fedosova. Russkaya Istoricheskaya Fonologia. Problemy i Perspektivy, 143\u2014149. Petrozavodsk (in Russian).<br \/>\n6. Dzhaubaeva, F.I. (2008). The harmony of the poetic text of A.S. Pushkin: Polisindeton. Stavropol (in Russian).<br \/>\n7. Zahnitko, A. (2012). Dictionary of modern linguistics: Concepts and terms (Vols. 1\u20144). Donetsk (in Ukrainian).<br \/>\n8. Kviatkovskii, A.P. (1966). Poetry dictionary. Moscow (in Russian).<br \/>\n9. Hrom\u2019\u2019yak, R.T., Kovaliv, Yu.I., &amp; Teremk\u043e, V.I. (Eds.). (1997). Literary dictionary. Kyiv (in Ukrainian).<br \/>\n10. Melkumova, T.V. (2012). The pragmatic role of polisyndeton (on the materials of mass media texts). Visnyk Zaporiz\u2019koho Natsional\u2019noho Universytetu. Filolohichni Nauky, 1, 302\u2014305 (in Ukrainian).<br \/>\n11. Parov\u2019\u2019yak, I.I. (2015). Expressive potential of syntactic units in German-language postmodernist prose text: Dissertation Summary for the Candidate of Philological Sciences Degree. Chernivtsi (in Ukrainian).<br \/>\n12. Selivanova, O.O. (2010). Linguistic encyclopedia. Poltava (in Ukrainian).<br \/>\n13. Serbina, T.H. (2014). Peculiarities of expressive syntax of Taras Shevchenko\u2019s poems. Psycholoho-Pedahohichni Osnovy Humanizatsiyi Navchal\u2019no-Vykhovnoho Pr\u043etsesu v Shkoli ta VNZ, 1, 67\u201472 (in Ukrainian).<br \/>\n14. Skovorodnikov, A.P. (2011). Encyclopedic dictionary. Expressive means of the Russian language and speech errors and shortcomings. Moscow: Flinta (in Russian).<br \/>\n15. Bilodid I.K. (Ed.). (1970\u20141980). Dictionary of the Ukrainian language. (Vols. 1\u201411). Kyiv: Naukova Dumka (in Ukrainian).<br \/>\n16. Topchiy, L.M. (2015). Syntactic markers of expressiveness in the language of Iryna Kalynets\u2019. Naukovy\u0456 Visnyk Mizhnarodnoho Humanitarnoho Universytetu, 19(2), 58\u201460 (in Ukrainian).<br \/>\n17. Baluch, J., &amp; Gierowski, P. (2016). Czesko-polski s\u0142ownik termin\u00f3w literackich. Cracow: Wydawnictwo Uniwersytetu Jagiello\u0144skiego (in Polish).<br \/>\n18. Faure, R., Zucker, A., Mellet, S. (2017). Poetique de la syntaxe rythmique de la langue, hommages a michel biraud (etudes anciennes de l&#8217;adra). Paris: \u00c9dition DE BOCCARD (in French).<br \/>\n19. Forsyth, M. (2014). The Elements of eloquence. New York: Berkley Publishing Group\/Penguin Publishing (in English).<br \/>\n20. Mejer, R. (2013). Deutsche Stilistik. Paderborn: Salzwasser Verlag GmbH (in German).","protected":false},"excerpt":{"rendered":"<p>Olesia Tieliezhkina, Doctor of Sciences in Philology, Associate Professor in the Department of Language Training, Pedagogy and Psychology, O.M. Beketov National University of Urban Economy in Kharkiv 17 Marshal Bazhanov St., Kharkiv 61002, Ukraine E-mail: o_tele_o@ukr.net https:\/\/orcid.org\/0000-0002-2953-7368 Heading:\u00a0Articles Language:\u00a0Ukrainian Abstract: Polysyndeton may be seen as not developed properly in the Ukrainian linguistic style, although it [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":0,"parent":9242,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-doi.php","meta":{"footnotes":""},"class_list":["post-9290","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/comments?post=9290"}],"version-history":[{"count":5,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9290\/revisions"}],"predecessor-version":[{"id":9728,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9290\/revisions\/9728"}],"up":[{"embeddable":true,"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/pages\/9242"}],"wp:attachment":[{"href":"https:\/\/ukrmova.iul-nasu.org.ua\/en\/wp-json\/wp\/v2\/media?parent=9290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}